Change We Can Believe In
If you look past the oiled up muscles and ads promising the latest and greatest supplements, T-Nation is one of the best resources online for the discussion of new ideas about training. Sure, some articles there are based on inaccurate hearsay or seem written more for the author to hear his own voice, but it also collects together input from some of the top young minds in athletic development looking to teach and learn like Wil Fleming, Chad Smith, and Derek Woodske. All three are former throwers and run their fantastic blogs of their own. But no matter the author, the site always leave you thinking and help on developing your own training philosophy.
A few weeks ago Chris Cralle pointed out an article on change, one of my favorite topics. In the article trainer Todd Bumgardner essentially makes the assertion that changing exercises in training is a bad thing. Merely adjusting volume and intensity is all the change an athlete needs. As he puts it “A new exercise variation typically isn’t the solution; an innovative way to load a proven exercise typically is.” The author makes a few good points: change done to make things interesting is bad and training needs to focused on the event. But after that our opinions diverge. I think change is one of the most crucial factors in developing a good training plan.

I’ve had this habit since I started playing other sports as a kid. In basketball, for instance, I inherited my father’s insistence of not leaving the court until I made my last shot. That’s a habit I continue today in pick-up games with friends and have carried into hammer throwing. This habit served a few purposes: it encouraged me to focus on technique if I wanted to ever leave the court and it also left me leaving with a more positive reflection on the game or practice. The same can be said with hammer throwing.
Tennis was one of the first sports I played and it remains one of my favorites to watch on television. A unique aspect of tennis is that while coaches are involved intimately in training, often on a one-on-one basis, they have no role at the match. With the exception of some recent rule changes in women’s tennis, it is frowned upon to even look at the coach’s box during a match and communication is forbidden. Watching the ebbs and flows of a five-set grand slam final as athletes must cope alone with the momentum changes and building pressure produces some of the best drama in sports. The tennis coaches may not get much recongnition but they are some of the best coaches in the world since they prepare their athletes to do this battle alone.
Last week I began a discussion with Harry Marra, the coach of world decathlon record holder Ashton Eaton. In 


Which thrower’s technique do you like watching the most? – Gary
Rhythm and the hammer throw are inseparable. A good throw needs it and bad throws lack it. As a coach I often have my throwers focus on the the rhythm of the throw as much as any other aspect. But as a thrower training alone, rhythm is something that is difficult for me to focus on in my own throw. Perhaps it is just me, but rhythm seems much easier to watch or hear than to feel. The blur of the throw prevents me from getting much feedback about the rhythm. I can feel when a throw is smooth or easy, but I can tell you little about the rhythm. Harold Connolly told me that at least one of his athletes must have felt the same way so he altered his hammer to whistle as he threw, with the pitch varying as speed increased.



Last week I posted the first part in an interview with Kevin McMahon, a two-time Olympian in the hammer throw and one of the top throwers in the history of American hammer throwing. 


